A shift: London to Singapore

It’s been a while since I put fingertips to keyboard. As some readers, fellow creatives and friends will know, my efforts and braincells have been flurrying around over the last few months working to set up a second art studio in Singapore. Here, I will be creating a new body of artwork, as well as some exciting opportunities for other artists who will get the chance to take part in an exchange programme. Whilst time intensive, the process has involved forging many exciting new relationships and collaborations, meeting new people and discovering new places. I am delighted, amazed and overwhelmed to tell you that I am finally here: ensconced in my new art studio, equipped with a fresh horde of brushes, metallic pigments and ink pens, in the inspiring city of Singapore.

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The Spectacle of the London Olympic Ceremony 2012

I don't usually blog this sort of thing, but I was pretty impressed by this cultural spectacle. As were the hundreds of other watchers who had come to see the ceremony on the big screen at Greenwich royal naval college, which was a fantastic place to view it and a real display of the multicultural nature of London.

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Invisible in London: Understanding invisible art

Anyone living in London will have noticed that in preparation for the Olympic Games, a myriad of shiny new buildings, facades and artworks are materializing all over our City. This weekend I decided to bypass the luster and ostentation of new sights, and the glister of resurfaced old ones. I took a closer look at the things that have de-materialised, or are simply not there. (Like the Australian team bus that got lost somewhere between Heathrow and the Olympic Park last week, being spotted briefly somewhere around Buckingham Palace.)

I took a look at some invisible visions and the Hayward Gallery's exhibition Invisible Art of the Unseen...

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VIDEO: ‘World’s Largest Kinetic Art Sculpture’ Unveiled at Singapore Airport

The seemingly alive installation, composed of 1,216 bronze droplets attached to individual motorized pulleys, bobs and weaves in Terminal 1′s departure hall at Changi Airport. While some examples of airline art look like they could’ve used more planning (the Oslo wang) or boldness (or less boldness, as is the case with Denver International’s “evil robo-horse” and what-the-freak murals), this moving artwork is minimalism at its best.

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Contemporary Korean art at the Saatchi Gallery: YeeSookyung

The exhibition presents the largest survey of new Korean art to date, and highlights an exciting group of artists who have recently emerged on the global art scene, producing work that provides an arresting insight into the future of contemporary art in Korea. The show begins on 26th July, but if you pop into the gallery now you can see a taste of Korea coming through. Intricate oil paintings on aluminium surfaces by Hyung Koo Kang really draw you in, and beautiful 'translated vases' by Yeesookyung are growing in the lower gallery spaces. Made from 'ceramic trash', Yeesookyung's uncanny and bumpy objects have organic, bubbling forms featuring fragments of Korean patterned vases joined in a frankenstein-like manner to make new, growing forms.

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PANDAMONIUM: MELTING THE HEART OF EVEN THE MOST MISERABLE CYNICS

I REVIEWED THIS SHOW IN TREBUCHET MAGAZINE, SEE ORIGINAL ARTICLE HERE OR READ ON BELOW… “Sometimes an aesthetically appealing tiger cub or a quirky ladybird can overshadow the actual substance of the artwork” Byroglyphics, 'great sage 1' 55x76cm. Graphite and pastel on Paper.
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ArtHAUS features in Guardian

The genre-busting artHAUS exhibition at DegreeArt Gallery is still open until June. Having been featured in the guardian's lifestyle picks, it's well worth a visit - It is very inspiring for me to see the art in the context of interior design. The art spills out onto the walls (in some cases quite literally) and inspires other elements in the room. It's very imagination capturing and eclectic. But also rather  nice to get inspiration for how to place objects & art in our own homes & spaces. I have recently rearranged my studio to reflect a string of inspirations emanating out of one central artwork.

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