Video: The making of a public sculpture

The sculpture unveiling in 2018 coincided with the dedication ceremony for the USC Shoah Foundation’s new home at Leavey Library at University of Southern California in Los Angeles. The artwork features the life story of Jona Goldrich, a holocaust survivor who escaped from Poland during WW2. Jona’s testimony has been sculpted into an artwork.

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'Remembering Our Father's Words' featured in New York Times

Steven speaks about the foundation's mission to share the testimonies of genocide survivors, and is photographed standing underneath my artwork in the Jona Goldrich Center.

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UNEXPECTED HAPPINESS

In my research over the years I have spoken to many individuals who have generously shared their stories for me to retell in sculptural form. One thing I observed from these humbling conversations is that those I spoke to who had the most difficult and challenging stories to tell, also expressed the purest sense of happiness and joy. It will always remain unknown how happy we all are relative to each other, but I certainly get a sense that those who found happiness after struggle were the ones who recognised, appreciated and basked in that joy the most - even if it was just a fleeting moment. 

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Share with me in Unexpected Happiness

Do you believe in serendipity? It often seems to me that the things which occur seem to be just the right thing - even if I don't know it at the time, I do believe that life's twists and turns have their purpose. That the lows help us value the highs. I experience lots of moments of unexpected happiness, small snatches of joy, which catch me unaware. I try to be open to this - noticing when something is wonderful or good, even if it's simply the pattern of a coffee spill that turned out to be quite beautiful - it's up to me whether to decide it's a mess to be mopped up or a chance for inspiration, (or perhaps a learning about the usefulness of coasters).  

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Time is like a river that flows from the past

Underground there are many unseen streams, tributaries and flows which lead into the river itself. On my calligraphy paper this becomes a metaphor for the invisible elements all around us in life that lead to the path we find ourselves on. Fragments from Marc’s poems float alongside the inky river banks.

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Saung featured in Artwork Focus

Suspended in mid-air, three delicate paper sculptures strike an ethereal image with intricate shadows cast on the wall behind. Boat-like in shape, with strings attached from the body to the elegantly curved neck, Humming History, Paper Notes, and Arpeggio by artist Nicola Anthony take as their inspiration the traditional court instrument of Burma (as Myanmar was known in ancient times): the saung, a harp carved from the root of a tree and strung with silk.

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Straits Times: An encounter between poetry & visual art from Singapore & Yangon

The Straits Times (Myanmar section)

'An encounter between poetry and visual art from Singapore & Yangon by Nicola Anthony (UK) and Marc Nair (Singapore)'

Article and Photo by Nicola Anthony and Marie Mol

Published on 26 March 2018

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Press Release: Intersection (Yangon)

Intersection is an exhibition of poetry and visual art by Singaporean poet Marc Nair and visual artist Nicola Anthony. The work maps an architecture of memory at the junction of three diverse cities: Yangon, London, and Singapore.

The exhibition is travelling to Yangon this March, and has been five years in the making. Both artists journeyed to each city to engage in field research, resulting in the initial body of work which debuted in 2017. Intersection, though, is a work in progress, and new work will be created on site at Myanm/art Gallery.

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Press Release: Nicola Anthony Shortlisted for Sovereign Asian Art Prize 2018

Contemporary British artist Nicola Anthony is very honoured to have been shortlisted as one of 30 finalists for the the 2018 Sovereign Asian Art Prize – the 14th edition of this prestigious prize for mid-career contemporary artists.

The selected artwork Human Archive Project (borders are a human construction), 2017, was made using stories gathered in Singapore and South East Asia, giving insight into 20 individuals who have left their homeland and loved ones behind to work here as construction workers and domestic workers.

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