See how the artwork ‘Saving Our Souls’ was made. A new piece which was made as a response to the artwork ‘Ghost Boat’ by John Behan.Read More
Intersection was an exhibition of poetry and visual art by Singaporean poet Marc Nair and visual artist Nicola Anthony. The work maps an architecture of memory at the junction of three diverse cities: Yangon, London, and Singapore.Read More
From this one-day residency the piece “a staircase leads to the defined place for making art” was produced. The piece was a photo-box documenting the interventions in Secretariat. The box was made by a local Yangon man in the market square and includes a site specific poem written by Marc Nair.Read More
Steven speaks about the foundation's mission to share the testimonies of genocide survivors, and is photographed standing underneath my artwork in the Jona Goldrich Center.Read More
Recently I asked myself three questions: What is home? What do I need in order to create? And why is English such a different language to American?!Read More
Suspended in mid-air, three delicate paper sculptures strike an ethereal image with intricate shadows cast on the wall behind. Boat-like in shape, with strings attached from the body to the elegantly curved neck, Humming History, Paper Notes, and Arpeggio by artist Nicola Anthony take as their inspiration the traditional court instrument of Burma (as Myanmar was known in ancient times): the saung, a harp carved from the root of a tree and strung with silk.Read More
Intersection is an exhibition of poetry and visual art by Singaporean poet Marc Nair and visual artist Nicola Anthony. The work maps an architecture of memory at the junction of three diverse cities: Yangon, London, and Singapore.
The exhibition is travelling to Yangon this March, and has been five years in the making. Both artists journeyed to each city to engage in field research, resulting in the initial body of work which debuted in 2017. Intersection, though, is a work in progress, and new work will be created on site at Myanm/art Gallery.Read More
Contemporary British artist Nicola Anthony is very honoured to have been shortlisted as one of 30 finalists for the the 2018 Sovereign Asian Art Prize – the 14th edition of this prestigious prize for mid-career contemporary artists.
The selected artwork Human Archive Project (borders are a human construction), 2017, was made using stories gathered in Singapore and South East Asia, giving insight into 20 individuals who have left their homeland and loved ones behind to work here as construction workers and domestic workers.Read More
Great soul is a sculpture created in 2014, which has been travelling the world ever since. It has been selected as part of the Field Trip Project exhibition, at KL Biennale.
There will be an artists and curators guided tour and collaboration workshop with KLSKETCHNATION on November 25th. The Biennale will be open until 30th March 2018... so do visit if you happen to come to Malaysia!Read More
Throughout my practice, I have been fascinated by people’s stories, social memory and oral history. There is a warmth and kinship in connecting with people, hearing their stories and knowing that it took a lot of courage to talk about painful or life-changing experiences close to their heart. To understand another person’s existence, their joys, fears and learnings, forms an inherent and essential part of my artistic approach. Which is why the opportunity to take on the role of a mentor in the Art Programme at Changi Women's Prison is both special and valuable to my creative development.Read More
Today I will share with you an interesting historical fact (plus a couple of interesting tangents). It’s not a religious post but this happens to be about a Saint – St. Paul, whose feast day is today: 29th June.
Earlier this year I exhibited this artwork which features St. Paul’s Cathedral in London. The artwork is a symbol of human survival, resilience and courage, as well as making a stand, and having faith in ourselves and others. As a point of intersection between Singapore and London, the former Supreme Court of Singapore which is now National Gallery Singapore is said to take inspiration from Christopher Wren’s dome design for St. Paul’s Cathedral.
Entitled Saint Pauls Survives (Ghosts of the past), this artwork is inspired by the photograph (also captioned ‘St. Pauls Survives’) published in newspapers after the night raid of 29/30 December 1940, the 114th night of the London Blitz of World War II.
How important is your portfolio? How do you get a foothold in the arts industry? What are the essentials needed to be an artist today?
Please join us at this free event, where I look forward to being a panel speaker & meeting many of you there. More info below.
Noise Mayhem: How To Make It! (In the Arts)
Sat 6 May 2017 | 1:30 PM – 3:30 PM Singapore | Register on Eventbrite
I am very happy to announce that from January I was invited to take on the role of Giclee (Digital Fine Art Print) Ambassador at NPE Art Residency, where I just completed a wonderful artist residency in Singapore. What does this mean? I am advising the NPE in-house print experts on the needs of artists when it comes to printing archival, museum quality works. I am also helping to educate artists and galleries on the importance of high quality printing as I have a specialist knowledge in the area, so why not share it? I was thrilled to be interviewed by NPE Art Residency's founder Daryl Goh. Find the interview here.Read More
RURU Gallery x Japan Foundation x Edwin’s Gallery proudly present:
FIELD TRIP PROJECT ASIA
Curated by Daisuke Takeya & Leonhard Bartolomeus
Opening reception Saturday, 1 April 2017, 16.00 – 19.00;
Exhibition daily 1 – 9 April 2016, 10.00 – 18.00
Field Trip Project Asia is an interactive socially engaging travelling art exhibition responding to recent natural disasters. Social media and the fast world of digital communication are making the world a smaller place where what happens thousands of miles away affect us all in different ways. Field Trip Project Asia aims to create awareness and provoke dialogues about various aspects of natural disasters and to connect people creating communities through compassion and art.Read More
A swirling tangle of timeline...
Earlier this year there was a moment which made my senses tingle as I saw the final print of this artwork emerge on its gorgeous paper, thanks to the printing experts at NPE Art Residency. It is my first digital fine art print in a long time, (an exclusive edition of 15, available at Intersections Gallery). I want to share with you the journey of this artwork... I had been working on sketches and maps of connections, creating vast drawings of webbed, intersecting lines. The artwork pairs with a poem called 'Museum of London' by Marc Nair. With my traditional pen on paper technique I drew my ideas from the lines on our palm which some people believe map our destiny; the interconnections on a family tree or a social network which map our now and our beginnings; as well as timelines which span back into history to connect us to multiple versions of the past.Read More
"The elements that stir us to make art are flickering moments: a brief flash of recognition, a hint of scent memory, a nexus of discovery. Above all, an intersection."
A travelling project which spanned Yangon (Myanmar) London city wall (UK), and Kampong Glam (Singapore). Funded by National Arts council (Singapore) and hosted at Intersections Gallery.
Intesection is a new body of work. Visual art created by Nicola Anthony, poetry created by Marc Nair.Read More
This series entitled Artwork Focus is written by Shireen, giving her explorations of the artworks in the Intersection exhibition. Shireen is a writer, art assistant and visual arts organiser, who has gained unique insight through her visits to Nicola’s art studio, observing the creation process of the works. This article focuses particularly on the artwork After Oud.
After Oud is a collection of glass jars in different shapes and sizes that chooses Singapore’s Bussorah Street in Kampong Glam as muse. Within these jars, strings of words in blue and gold taken from Marc Nair’s poem of the same name (“After Oud”) dangle together. Like Marc, Nicola is inspired by Bussorah Street and its famous aromatic scent store that has served the Kampong Glam community for years.Read More
An exhibition by Nicola Anthony, United Kingdom, and Marc Nair, Singapore. Part Two: 22 Feb – 5th March 2017. INTERSECTIONS Gallery, 34 Kandahar Street, Singapore 198892. Free Admission. RSVP on facebook event
In this second part of Intersection exhibition a new way of seeing is presented, and the curation presents a key to unlock hidden stories, meanings and messages within each artwork. It is not often you get insight into a large body of work like this from two perspectives, but for this exhibition curator Marie-Pierre Mol of Intersections gallery has decided to give the viewer a deeper understanding and a whole new way of looking.Read More
Gotong Royong is a twisting, turning, tumbling, kinetic artwork, in which letters and words spill like loose sand. I am extremely proud to present this interactive piece in the exhibition, Intersection, a collaboration between myself and poet Marc Nair. Below I explain the art piece with a video and some insight into the creative process.Read More
The idea of the daily prayer that is comparable to a voluntary routine practiced across different cultures and religions and transcends geographical boundaries, is emphasised through the work’s duality in display – in light and in darkness. Like the journey of the sun from dawn to dusk and dusk to dawn, traditions and practices exist in time and are rarely temporal.
The journeys across Singapore and Yangon that have inspired the creation of this work almost mimics the migration of the birds and their rotations inside the birdcage. This work is a reminder for us all: just as we are guided home “like flocks of birds”, our culture and traditions keep us grounded and remind us of our humble beginnings that have helped us shape our identity.Read More